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Mark ‘Mr T’ Thompson

 

Born and bred in South-East London of Anglo-Jamaican heritage, Mark originally trained as an actor following which he appeared on stage and screen, including touring nationally in a play written by Benjamin Zephaniah.

 

Having found acting work a little less than consistent (ahem... ok a lot less than consistent!), he retrained as secondary drama teacher, looking to bring his youth work and dramatic skills together in a way that would actually allow him to make a regular wage between other engagements.

 

Working as a Drama lecturer in FE, a theatre company’s director of education and then as a teacher of children with speech and language difficulties, he eventually decided to go back to the world of performance, this time focusing on his poetry.

 

His love of verse can be traced to a diverse range of inspirations; his passion for rap music and sung lyrics, an early introduction to Shakespeare and a love of dub poets like Zephaniah.

 

His first verses were written in song or rap form, but he didn’t discover the most effective way to use them until he stumbled into a spoken word event in Brixton in 2003. It was a eureka moment. Hold on I don’t need music, I can just get up and SAY my stuff!’ Twelve months later he won his first slam.

 

His work is intensely personal exploring themes including; culture and identity, love and romance, as well as political and social commentary. A whole chapter of his first collection, ‘Mixed Messages’ self published in 2009, is dedicated to the story of his wife Sarah’s successful search for a bone marrow donor. Mark has volunteered with the African Caribbean Leukaemia Trust ever since, regularly representing the organisation at various awareness and fundraising events as the ACLT’s official poet.

 

He has already sold over 400 copies of his first book, 200 copies of the CD, performed at venues from the Hackney Empire to The Blues Room in Johannesburg, in the process winning a number of awards and Slam competitions. Additionally he has delivered educational, poetry-based workshops to young people in schools and colleges receiving rave reviews.

 

http://www.theccpress.co.uk

Cultural chameleon

I am a cultural chameleon, a lyrical social comedian,

I’ve felt I had no choice but to change my voice

To appear average - by mean, mode or median.

I studied hard to fit in and be cool,

Ever since I’ve been able to speak,

Although to not stand out at my school,

I had to learn to ‘talk common’ not Latin or Greek.

Mi haf fi pick up my patois from conversation;

Many darker than me did too,

Because if you are not first generation,

It may not come natural to you.

I’ve delved deep into all sides of my history,

Something I believe every person should do,

As if where you’ve come from's a mystery,

Can you be sure that your heading is true?

So to knowledge of Romans and Boudica,

Add the Maroons, Garvey and Chaka Zulu,

And make sure the light of ‘lady of the lamp’ never obscures Mary Seacole from view.

My biological heritage is both Black + British, and yet some do seem to feel,

That my need to pay subs to both these ‘cultural clubs’, is somehow less than real,

Like some BNP or National Front, jumped up runt,

Son of an Enoch Powel-influenced ignorant grunt,

Who wants us all to ‘Go back!’ to our historically correct geographical homes.

Well hold on! Mine’s split across five hours of time

Which are a ‘lickle harder to straddle than a couple of travel-card zones.

Forget that this patriot’s Queen is Franco-German,

The suggestion of this lunatic,

Is that the place I should feel most at home in,

Is floating somewhere over the mid-Atlantic!

One toe down in London town,

De other in Kingston poor wretch,

Better put me on the rack right now

‘Cos my legs dem just won’t stretch.

Mi left side is waitin’ pon me breakfast seen,

When my right sides has just had me lunch,

I guess if I’m confused stuck in between,

I could always just do brunch!

But, from that lofty spot,

I could appreciate many artists who shaped our current world view.

Great bards from tuff gong to Billy wag-a-dagger,

Known as Marley and Shakespeare to you.

The Windrush might appear through time’s mist to me,

As it answers the Mother Country’s call,

Those aboard unbowed by history,

Each with a right to stand proud and tall.

Slave routes back to Africa would be visible too;

A journey many did not survive.

Britannia’s involvement is shameful it’s true,

But I’m so proud that I’m alive.

For my DNA’s very existence, is a testimony to my parents’ tolerance,

And my ancestors’ persistence, even when faced with overwhelming ignorance.

It is a unique blend of aboriginal British bloodlines, with those of the invited immigrants.

So yes, I am a cultural chameleon, a lyrical social comedian.

Now by choice, I change my voice

To appear more than just average by mode, mean or median.

Even Superman needs a phone-box

 

Even superman needs a phone-box,

When he needs to make a change.

And obviously he also has to arrange,

A small plastic carrier bag, in which to place his shoes and socks.

Batman has both Robin and Alfred when he needs a helping hand,

A quiet word of support, a gadget, or just a mate to understand.

So if you need it, find some space where you can try and change your state,

Lean on a friend in time of need, as in time you may be needed to reciprocate.

Don’t knock yourself, it’s ok to pause or share if it all gets too much,

Even proudest walking wounded will not be embarrassed to clutch a crutch.

So work out what you need,

And if in doubt then seek advice,

Then take your remedy,

Be it a private space,

A friend’s assistance,

Or just chicken peas and rice.

 

 
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