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Mark ‘Mr T’ Thompson
Born and bred in South-East London
of Anglo-Jamaican heritage, Mark originally trained as an actor
following which he appeared on stage and screen, including
touring nationally in a play written by Benjamin Zephaniah.
Having found acting work a little
less than consistent (ahem... ok a lot less than consistent!),
he retrained as secondary drama teacher, looking to bring his
youth work and dramatic skills together in a way that would
actually allow him to make a regular wage between other
engagements.
Working as a Drama lecturer in FE,
a theatre company’s director of education and then as a teacher
of children with speech and language difficulties, he eventually
decided to go back to the world of performance, this time
focusing on his poetry.
His love of verse can be traced to
a diverse range of inspirations; his passion for rap music and
sung lyrics, an early introduction to Shakespeare and a love of
dub poets like Zephaniah.
His first verses were written in
song or rap form, but he didn’t discover the most effective way
to use them until he stumbled into a spoken word event in
Brixton in 2003. It was a eureka moment. Hold on I don’t need
music, I can just get up and SAY my stuff!’ Twelve months later
he won his first slam.
His work is intensely personal
exploring themes including; culture and identity, love and
romance, as well as political and social commentary. A whole
chapter of his first collection, ‘Mixed Messages’ self published
in 2009, is dedicated to the story of his wife Sarah’s
successful search for a bone marrow donor. Mark has volunteered
with the African Caribbean Leukaemia Trust ever since, regularly
representing the organisation at various awareness and
fundraising events as the ACLT’s official poet.
He has already sold over 400 copies
of his first book, 200 copies of the CD, performed at venues
from the Hackney Empire to The Blues Room in Johannesburg, in
the process winning a number of awards and Slam competitions.
Additionally he has delivered educational, poetry-based
workshops to young people in schools and colleges receiving rave
reviews.
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http://www.theccpress.co.uk |
Cultural chameleon
I am a cultural chameleon, a lyrical social comedian,
I’ve
felt I had no choice but to change my voice
To
appear average - by mean, mode or median.
I
studied hard to fit in and be cool,
Ever
since I’ve been able to speak,
Although
to not stand out at my school,
I had to
learn to ‘talk common’ not Latin or Greek.
Mi haf
fi pick up my patois from conversation;
Many
darker than me did too,
Because
if you are not first generation,
It may
not come natural to you.
I’ve
delved deep into all sides of my history,
Something I believe every person should do,
As if
where you’ve come from's a mystery,
Can you
be sure that your heading is true?
So to
knowledge of Romans and Boudica,
Add the
Maroons, Garvey and Chaka Zulu,
And make
sure the
light of ‘lady of the lamp’ never obscures Mary
Seacole from view.
My
biological heritage is both Black + British, and yet some do
seem to feel,
That my
need to pay subs to both these ‘cultural clubs’, is somehow less
than real,
Like
some BNP or National Front, jumped up runt,
Son of
an Enoch Powel-influenced ignorant grunt,
Who
wants us all to ‘Go back!’ to our historically correct
geographical homes.
Well
hold on! Mine’s split across five hours of time
Which
are a ‘lickle harder to straddle than a couple of travel -card
zones.
Forget
that this patriot’s Queen is Franco -German,
The
suggestion of this lunatic,
Is that
the place I should feel most at home in,
Is
floating somewhere over the mid-Atlantic!
One toe
down in London town,
De other
in Kingston poor wretch,
Better
put me on the rack right now
‘Cos my
legs dem just won’t stretch.
Mi left
side is waitin’ pon me breakfast seen,
When my
right sides has just had me lunch,
I guess
if I’m confused stuck in between,
I could
always just do brunch!
But,
from that lofty spot,
I could
appreciate many artists who shaped our current world view.
Great
bards from tuff gong to Billy wag-a-dagger,
Known as
Marley and Shakespeare to you.
The
Windrush might appear through time’s mist to me,
As it
answers the Mother Country’s call,
Those
aboard unbowed by history,
Each
with a right to stand proud and tall.
Slave
routes back to Africa would be visible too;
A
journey many did not survive.
Britannia’s involvement is shameful it’s true,
But I’m
so proud that I’m alive.
For my
DNA’s very existence, is a testimony to my parents’ tolerance,
And my
ancestors’ persistence, even when faced with overwhelming
ignorance.
It is a
unique blend of aboriginal British bloodlines, with those of the
invited immigrants.
So yes,
I am a cultural chameleon, a lyrical social comedian.
Now by
choice, I change my voice
To appear more than
just average by mode, mean or median. |
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Even
Superman needs a phone-box
Even
superman needs a phone-box,
When
he needs to make a change.
And
obviously he also has to arrange,
A
small plastic carrier bag, in which to place his shoes and
socks.
Batman
has both Robin and Alfred when he needs a helping hand,
A
quiet word of support, a gadget, or just a mate to understand.
So if
you need it, find some space where you can try and change your
state,
Lean
on a friend in time of need, as in time you may be needed to
reciprocate.
Don’t
knock yourself, it’s ok to pause or share if it all gets too
much,
Even
proudest walking wounded will not be embarrassed to clutch a
crutch.
So
work out what you need,
And if
in doubt then seek advice,
Then
take your remedy,
Be it
a private space,
A
friend’s assistance,
Or
just chicken peas and rice.
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